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Event / Program Detail

Schumann 4

October 19, 2021 at 7:30 pm

Moody Performance Hall

2520 Flora Street, Dallas, Texas 75201 (map it)

Main Event at 7:30 PM

The DCS opens its season with Robert Schumann’s joyful Symphony No. 4 in D Minor. Concertmaster Kazuhiro Takagi and cellist Jesús Castro-Balbi join forces to perform Johannes Brahms’ beautiful Double Concerto in A Minor. The program opens with Felix Mendelssohn’s colorful and rousing Overture to A Midsummer Night’s Dream.

Richard McKay, conductor
Kazuhiro Takagi, violin
Jesús Castro-Balbi, cello

Program

Mendelssohn: Overture, A Midsummer Night’s Dream

Brahms: Double Concerto for Violin and Cello

Allegro
Andante
Vivace non troppo

INTERMISSION

R. Schumann: Symphony No. 4

Andante con moto – Allegro di molto
Romanza: Andante
Scherzo: Presto
Largo – Finale: Allegro vivace

Parking

Convenient parking for $6, available nearby at One Arts Plaza.

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Directions

Find Moody Performance Hall downtown in the Arts District.

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Tickets By Phone

 214.449.1294

9:00am – 5:00pm, Monday – Friday
Voicemails also accepted.

Online

Pricing

Reserved Seating: $24-54

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At the Door

Tickets may be purchased at the box office in the lobby, which opens 90 minutes before the event start time. Cash and major credit cards are accepted. Save time by ordering in advance, online or by phone.

What People Are Saying

  • "McKay and the musicians wove through the complex textures and often counter-intuitive wanderings of this score with admirable devotion and precision."

    Wayne Lee Gay D Magazine
  • "...the Dallas Chamber Symphony and the Bruce Wood Dance Company...make an ideal cultural ambassador for the city to major urban centers in the United States and beyond."

    Wayne Lee Gay D Magazine
  • "McKay and the musicians wove through the complex textures and often counter-intuitive wanderings of this score with admirable devotion and precision."

    Wayne Lee Gay D Magazine
  • "Best Way to Watch A Silent Film 2014: ...they showed us that there’s nothing quite like watching a movie to the sound of a live orchestra."

    The Editor D Magazine
  • "The mostly young ensemble of two dozen strings responded with performances as eager and expressive as they were accomplished."

    Scott Cantrell The Dallas Morning News
  • "For this symphony the educational outreach is far-reaching."

    Teresa Frosini CBS 11 News
  • "…the orchestra here demonstrated a continually improving precision and comfort in a room that can be unforgiving. The Warlock Suite provided ample opportunity for McKay to show off a wonderful ability to evoke the special atmosphere, at once modern and archaic, that the composer created here."

    Wayne Lee Gay D Magazine
  • "Renaissance harmonies abounded, tinged with just the right spice of 20th Century dissonance and bi-tonality. It was brought out at just the right level by McKay."

    Wayne Lee Gay D Magazine
  • "The pointed intentionality of last night's programming, which initially looked like a musical mishmash, was to breathe new life into the old. And the structure of it was brilliant: 'Here's something you'll know. Here's something you should know. And here's something fun, so you leave feeling elated.'"

    Jamie Laughlin The Dallas Observer
  • "The Dallas Chamber Symphony is nothing if not ambitious."

    Katie Womack Dallas Observer
  • "This combination of old and new elements helped transport the audience to a different time and place without over-doing musical clichés."

    Katie Womack The Dallas Observer
  • "The audience was drawn into the film from the start, bursting into laughter and interacting with the story audibly."

    Katie Womack The Dallas Observer
  • "On Tuesday night, the Dallas Chamber Symphony proved they know exactly how to create a well-executed, interactive and entertaining live music/film screening experience."

    Katie Womack The Dallas Observer
  • "They have some incredible talent in their midst."

    Katie Womack The Dallas Observer
  • "There were a lot of excited whispers and shoulder grabs as people stood up to leave. I rarely see crowds so invigorated after classical productions."

    Jamie Laughlin The Dallas Observer
  • "If we want to keep classical music relevant, we need to fuse it naturally with our other passions. It should be an accompaniment to our lives, not just a fancy auditory meal gobbled up occasionally while wearing fine clothes. The Dallas Chamber Symphony is making that happen."

    Jamie Laughlin The Dallas Observer
  • "Shows like this reinforce that I'm on board; I'll see anything this group and its artistic director Richard McKay tries…"

    Jamie Laughlin The Dallas Observer
  • "Dallas Chamber Symphony has, along with the presentation of a fresh and widely varied repertoire of standard and non-standard works, carved a notable niche on the local scene…"

    Wayne Lee Gay D Magazine
  • "The orchestra and conductor McKay deserve hearty accolades for this ongoing silent cinema project, with hope that it will continue to enrich the local scene in upcoming seasons."

    Wayne Lee Gay D Magazine
  • "McKay had a great sense for the tempo and character of the piece, which was clearly chosen to show off Takagi's technical and artistic skill."

    Katie Womack The Dallas Observer
  • "As they had been all night, phrases were beautifully shaped. Throughout the performance there was palpable emotion in the playing and ultimately that intangible -- artistic sensibility -- is what made this concert a success."

    Katie Womack The Dallas Observer
  • "The conductor’s long-term vision is precisely the kind of eclectic and occasionally challenging classical group Dallas really needs."

    Peter Simek D Magazine
  • "Everything from the first note was locked in rhythmic precision, and difficult passages were clear, focused, and musical..."

    John Norine TheaterJones
  • "The ensemble is extremely adroit in their presentation as well as programming."

    John Norine TheaterJones

ABOUT THE ARTISTS

Kazuhiro Takagi, violin

Concertmaster Kazuhiro Takagi enjoys an international career and reputation as an experienced violin soloist, recording artist, and leader of orchestras. He has served tenures as concertmaster of the Tokyo Symphony, Chicago Civic Orchestra (under Daniel Barenboim), and solo concertmaster of the Yamagata Symphony and Wuerttembergische Philharmonie Reutlingen in Germany. He has also held positions with the Osaka Philharmonic, Osaka Symphony, Japan Century Symphony, Vietnam National Symphony and the Kansai Philharmonic.

Mr. Takagi has performed as a soloist and chamber musician in the United States, Europe and Japan. He is a prizewinner of the prestigious Queen Elisabeth International Music Competition and the 54th Geneva International Music Competition. As first violinist of the Eusia String Quartet, he received first prize in the Fischoff National Chamber Music Competition in Indiana. For his performances, he has also received the coveted Aoyama Music Award of Kyoto Baroque Saal.

Born in Osaka, Japan, and currently a resident of Tokyo, Mr. Takagi returns to Dallas frequently, as he established deep roots in the North Texas community while studying violin with Eduard Schmieder at Southern Methodist University. Extensively trained on his instrument, he is a graduate of the prestigious Deuxieme Academie de Musique Francaise de Kyoto where he was a pupil of Pierre Dukan, and the Conservatoire National Superieur in Lyon, France, where he was mentored by Yuko Mori and Eduard Wulfson.

In addition to his duties as concertmaster of the Dallas Chamber Symphony, Mr. Takagi holds positions with the Nagaokakyo Chamber Ensmeble in Kyoto, Izumi Sinfonietta Osaka, Lilis Chamber Orchestra, and the alternative music group A Hundred Birds.

Mr. Takagi’s solo recordings with the Osaka Philharmonic are widely distributed on the Naxos label. His most recent album features the twentieth-century works of composer Hiroshi Ohguri.

Jesús Castro-Balbi, cello

Jesús Castro-Balbi is a concert cellist, pedagogue and higher education leader of international reputation with a passion for building communities through music and education. He has partnered with, among other fine conductors, Giancarlo Andretta, Linus Lerner, Carlos Miguel Prieto and Arild Remmereit, and performed as a soloist with the Aarhus, Dallas, and Fort Worth Symphony Orchestras; the China, Louisiana and Mexico City Philharmonic Orchestras; the Leipzig Radio Orchestra; and the National Symphony Orchestra of Peru. He has been featured at New York’s Alice Tully Hall, over a dozen times at Carnegie Hall, at the Shanghai Oriental Arts Center and at Tokyo’s Suntory Hall.

Jesús Castro-Balbi has long been a strong proponent of music of our time. His repertoire stretches from Osvaldo Golijov’s Azul and Arlington Jones’ Soul Unity Suite to Lutoslawski’s Cello Concerto. To date, he has presented 53 premiere performances, the world premiere recording of 19 works, and is the dedicatee of 19 compositions. He gave the New York premiere of Mark-Anthony Turnage’s Cello Concerto Kai; the first recording of the complete music for cello and piano by Robert Rodriguez. He also commissioned and premiered, with Germán Gutiérrez and the TCU Symphony Orchestra, Edgar Valcárcel’s Concerto Indio and Jimmy López’ cello concerto, Lord of the Air; and recorded the latter for Harmonia Mundi with the Norwegian Radio Orchestra led by Miguel Harth-Bedoya.

A renowned educator, he has guest taught at Beijing’s Central Conservatory, Paris Conservatoire, Leipzig and Stuttgart Hochschule, for the Japan Cello Society, at The Juilliard School, and at the Yale School of Music. Additionally, he has adjudicated at the Lynn Harrell Competition (Dallas), the Sphinx Competition (Michigan), and at the Aiqin Bei (China), Lutoslawski (Poland) and Carlos Prieto (Mexico) international cello competitions.

In 2021, he assumed the directorship of the Dr. Bobbie Bailey School of Music (BSOM) at Kennesaw State University. With over 300 music majors across six degree programs, outstanding faculty, significant scholarship resources, and a world-class presenting season, BSOM delivers an excellent and affordable, student-centered, research-driven and altogether transformative education in music within an extraordinary arts community at a thriving, large public university in metro Atlanta. Prior to joining Kennesaw State University, Dr. Castro-Balbi served as a professor at Texas Christian University for 18 years, where he built an internationally sought-after cello program, founded the TCU Cellofest and the Faculty & Friends Chamber Music Series, and was an effective university citizen.

Of Peruvian heritage and raised in France, Dr. Castro-Balbi graduated from the Conservatoire National Supérieur at Lyon, Indiana University Bloomington, and the Yale School of Music, and holds a Doctor of Musical Arts degree from The Juilliard School.

As an American Council on Education Fellow, he developed higher education leadership capacity with the University of Miami senior

executives, Drs. Julio Frenk, Jeff Duerk and Jackie Travisano, and at campuses across the nation.

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