Event / Program Detail

November 7th, 2017, 8PM at Moody Performance Hall

2520 Flora Street, Dallas, Texas 75201 (map it)

Main Event Starts at 8:00 PM

Renowned cellist, Jesús Castro-Balbi performs Haydn’s Cello Concerto No. 1 in C Major. This program also features beautiful music written for string orchestra, including Gershwin’s popular Lullaby and Shostakovich’s enigmatic Chamber Symphony, Op. 110a. At times nostalgic, political, and autobiographical, this work illuminates the composer’s personal struggle with infirmity, war, violence and political expedience. It’s a masterpiece worth experiencing live, with the Dallas Chamber Symphony’s accomplished strings.

Richard McKay, conductor

Program duration: 90 minutes, including intermission

Main Event at 8:00 PM

Gershwin: Lullaby

F.J. Haydn: Cello Concerto No. 1 in C Major

Moderato
Adagio
Allegro molto

Jesús Castro-Balbi, cello

Intermission

Shostakovich: Chamber Symphony Op. 110a

arr. Barshai

Largo
Allegro molto
Allegretto
Largo
Largo

Parking

Convenient parking for $6, available nearby at One Arts Plaza.

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Directions

Find City Performance Hall downtown in the Arts District.

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Tickets By Phone

 214.449.1294

9:00am – 5:00pm, Monday – Friday
Voicemails also accepted.

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Pricing

Reserved Seating: $25-54

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At the Door

Tickets may be purchased at the box office in the lobby, which opens 90 minutes before the event start time. Cash and major credit cards are accepted. Save time by ordering in advance, online or by phone.

What People Are Saying

  • "McKay and the musicians wove through the complex textures and often counter-intuitive wanderings of this score with admirable devotion and precision."

    Wayne Lee Gay D Magazine
  • "...the Dallas Chamber Symphony and the Bruce Wood Dance Company...make an ideal cultural ambassador for the city to major urban centers in the United States and beyond."

    Wayne Lee Gay D Magazine
  • "McKay and the musicians wove through the complex textures and often counter-intuitive wanderings of this score with admirable devotion and precision."

    Wayne Lee Gay D Magazine
  • "Best Way to Watch A Silent Film 2014: ...they showed us that there’s nothing quite like watching a movie to the sound of a live orchestra."

    The Editor D Magazine
  • "The mostly young ensemble of two dozen strings responded with performances as eager and expressive as they were accomplished."

    Scott Cantrell The Dallas Morning News
  • "For this symphony the educational outreach is far-reaching."

    Teresa Frosini CBS 11 News
  • "…the orchestra here demonstrated a continually improving precision and comfort in a room that can be unforgiving. The Warlock Suite provided ample opportunity for McKay to show off a wonderful ability to evoke the special atmosphere, at once modern and archaic, that the composer created here."

    Wayne Lee Gay D Magazine
  • "Renaissance harmonies abounded, tinged with just the right spice of 20th Century dissonance and bi-tonality. It was brought out at just the right level by McKay."

    Wayne Lee Gay D Magazine
  • "The pointed intentionality of last night's programming, which initially looked like a musical mishmash, was to breathe new life into the old. And the structure of it was brilliant: 'Here's something you'll know. Here's something you should know. And here's something fun, so you leave feeling elated.'"

    Jamie Laughlin The Dallas Observer
  • "The Dallas Chamber Symphony is nothing if not ambitious."

    Katie Womack Dallas Observer
  • "This combination of old and new elements helped transport the audience to a different time and place without over-doing musical clichés."

    Katie Womack The Dallas Observer
  • "The audience was drawn into the film from the start, bursting into laughter and interacting with the story audibly."

    Katie Womack The Dallas Observer
  • "On Tuesday night, the Dallas Chamber Symphony proved they know exactly how to create a well-executed, interactive and entertaining live music/film screening experience."

    Katie Womack The Dallas Observer
  • "They have some incredible talent in their midst."

    Katie Womack The Dallas Observer
  • "There were a lot of excited whispers and shoulder grabs as people stood up to leave. I rarely see crowds so invigorated after classical productions."

    Jamie Laughlin The Dallas Observer
  • "If we want to keep classical music relevant, we need to fuse it naturally with our other passions. It should be an accompaniment to our lives, not just a fancy auditory meal gobbled up occasionally while wearing fine clothes. The Dallas Chamber Symphony is making that happen."

    Jamie Laughlin The Dallas Observer
  • "Shows like this reinforce that I'm on board; I'll see anything this group and its artistic director Richard McKay tries…"

    Jamie Laughlin The Dallas Observer
  • "Dallas Chamber Symphony has, along with the presentation of a fresh and widely varied repertoire of standard and non-standard works, carved a notable niche on the local scene…"

    Wayne Lee Gay D Magazine
  • "The orchestra and conductor McKay deserve hearty accolades for this ongoing silent cinema project, with hope that it will continue to enrich the local scene in upcoming seasons."

    Wayne Lee Gay D Magazine
  • "McKay had a great sense for the tempo and character of the piece, which was clearly chosen to show off Takagi's technical and artistic skill."

    Katie Womack The Dallas Observer
  • "As they had been all night, phrases were beautifully shaped. Throughout the performance there was palpable emotion in the playing and ultimately that intangible -- artistic sensibility -- is what made this concert a success."

    Katie Womack The Dallas Observer
  • "The conductor’s long-term vision is precisely the kind of eclectic and occasionally challenging classical group Dallas really needs."

    Peter Simek D Magazine
  • "Everything from the first note was locked in rhythmic precision, and difficult passages were clear, focused, and musical..."

    John Norine TheaterJones
  • "The ensemble is extremely adroit in their presentation as well as programming."

    John Norine TheaterJones

ABOUT THE ARTISTS

Jesús Castro-Balbi, cello

Jesús Castro-Balbi is a performing artist and teacher of international standing. His artistic activities encompass critically acclaimed performances and broadcasts in the US, Asia, Europe and throughout Latin America as a soloist with, among other orchestras, the Dallas and the Fort Worth Symphony Orchestras, the China Philharmonic, the Aarhus Symphony Orchestra (Denmark), the Leipzig MDR radio orchestra, the Mexico City Philharmonic and the National Symphony Orchestra (Peru). He appeared in prestigious venues from Alice Tully Hall and over a dozen appearances at Carnegie Hall in New York to the Shanghai Oriental Arts Center and Tokyo’s Suntory Hall. He further performs at prominent festivals, including the Lincoln Center Festival, and in Cartagena (Colombia), Morelia (Mexico), San Miguel de Allende (Mexico) and Riga (Latvia). Beyond the beloved standard repertoire, he enjoys a long-standing affinity with music of our time, whether bringing the Lutoslawski concerto to audiences from New Orleans to Lima, performing William Bolcom’s Capriccio at the Cliburn at the Modern series in Fort Worth, presenting the American premiere of Lera Auerbach’s Postscriptum in New York with Clavier Trio, or recording the complete music for cello and piano by Robert Rodriguez with pianist Gloria Lin. To date, he has presented 51 premiere performances of concerti, chamber music and cello ensemble music, the world premiere recording of 17 works, and is the dedicatee of 19 compositions. Notable among these is his 2015 recording of the cello concerto Lord of the Air by Jimmy López for Harmonia Mundi with the Norwegian Radio Orchestra led by Miguel Harth-Bedoya. This album was named Album of the Week by the Chicago Tribune, Le Choix de France-Musique, and won the Luces prize in Peru.

As a teacher of international reputation, he presents master-classes and seminars abroad at Beijing’s Central Conservatory, the Paris Conservatoire, the Leipzig and Stuttgart Hochschule, for the Japan Cello Society, and in the US at the Juilliard School and the Yale School of Music. As an adjudicator, he served on the Dallas Symphony Orchestra’s Lynn Harrell Competition, the Sphinx Competition (Michigan), and at the Aiqin Bei (China), Lutoslawski (Poland) and Carlos Prieto (Mexico) international cello competitions.

A professor at the Texas Christian University School of Music in Fort Worth, Texas, he has developed since 2003 a select studio of undergraduate and graduate cellists from the US and abroad. He is the founding artistic director of the TCU Cello Ensemble and of the TCU Cellofest, led the Faculty & Friends Chamber Music Series for 11 years, and received the College of Fine Arts Award for Distinguished Achievement as a Creative Teacher and Scholar. His commitment to the university extends to service on various forums advancing the institution’s mission ranging from the Faculty Senate to institutional strategic planning.

Of Peruvian heritage, raised in France and now a US citizen, Dr. Castro-Balbi graduated from the Conservatoire National Supérieur at Lyon, Indiana University at Bloomington, the Yale School of Music, and holds a Doctor of Musical Arts degree from the Juilliard School. He had the privilege to learn from Aldo Parisot, Janos Starker, and members of the Amadeus, Borodine, Juilliard, Ravel and Tokyo String Quartets.

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