Event / Program Detail

March 15th-18th, 2017 at Caruth Auditorium

Owen Arts Center, 6101 Bishop Blvd, Dallas, TX 75205 (map it)

Join us for four days of fabulous performances at Caruth Auditorium at the Owen Arts Center, as 20 pianists from around the globe descend on Dallas to compete for a chance to perform with The Dallas Chamber Symphony. Enjoy an exciting mix of concerto and solo performances and observe master class workshops taught by renowned SMU and visiting faculty. You will be dazzled and inspired by the phenomenal talents this international event is attracting. Your subscription gives you a full access pass all events, and with open seating, you are welcome to come and go as you please.

This year’s jury includes Angela Cheng, Enrico Elisi and Ning An. Jury members, as well as Dr. Carol Leone (SMU piano faculty) and Boris Slutsky (guest visiting faculty), will teach master class workshops.

The Dallas International Piano Competition is presented in community partnership with Southern Methodist University’s Meadows School of the Arts.

Day 1

Master Class with Dr. Carol Leone

Wednesday, March 15, 2017 — 7:00pm to 9:00pm

Four pianists are chosen from the field of candidates to participate in this Masterclass, taught by Dr. Carol Leone. Audiences are welcome to observe these public piano lessons, which focus on solo repertoire.

Day 2

Round 1 Quarterfinals

Thursday, March 16, 2017 — 9:00am to 6:00pm

Each of the 18 Quarterfinalists shall receive a maximum performance time of 20 minutes in Round 1. Contestants perform their repertoire for piano and orchestra, accompanied by a second pianist who performs the orchestral reduction. Round 1 results will be announced at around 6pm.

Day 3

Master Class with Ning An

Friday, March 17, 2017 — 1:00 to 2:30pm

Three pianists selected from among the applicants will participate in this master class workshop with Ning An. Candidates who have be pre-selected will perform, and students, music educators and general public audiences are welcome to observe these public piano lessons, which focus on solo repertoire.

Master Class with Angela Cheng

Friday, March 17, 2017 — 2:30 to 4:00pm

Three pianists selected from among the applicants will participate in this master class workshop with Angela Cheng. Candidates who have be pre-selected will perform, and students, music educators and general public audiences are welcome to observe these public piano lessons, which focus on solo repertoire.

Round 2 – Semifinals

Friday, March 17, 2017 — 5:00pm to 10:00pm

Each of the 9 Semifinalists shall perform a 30-minute recital of repertoire for piano solo. Round 2 results will be announced at 10pm.

Day 4

Master Class with Enrico Elisi

Saturday, March 18, 2017 — 1:00 to 2:30pm

Three pianists selected from among the applicants will participate in this master class workshop with Enrico Elisi. Candidates who have be pre-selected will perform, and students, music educators and general public audiences are welcome to observe these public piano lessons, which focus on solo repertoire.

Master Class with Boris Slutsky

Saturday, March 18, 2017 — 2:30 to 4:30pm

Four pianists selected from among the applicants will participate in this master class workshop with visiting faculty, Boris Slutsky. Candidates who have be pre-selected will perform, and students, music educators and general public audiences are welcome to observe these public piano lessons, which focus on solo repertoire.

Round 3 – Finals

Saturday, March 18, 2017 — 7:00 to 9:30pm

Each of the 3 finalists will perform his or her chosen competition piece for piano & orchestra in its entirety without interruption, accompanied by a second pianist who performs the orchestral reduction.

Award Ceremony & Winner’s Recital

The announcement of winners will be made in Caruth Auditorium at around 9:30 p.m. A short winners’ recital will follow the ceremony. Each of the winners of the Dallas International Piano Competition perform a brief solo encore at the conclusion of the ceremony.

Next Season

Winner’s Dallas Chamber Symphony Debut

During the 2017-18 Concert Season, at Dallas City Performance Hall.

Parking

Convenient parking can be found in the nearby Binkley Garage.

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Directions

Caruth Auditorium is located in the Meadows School of the Arts.

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Tickets By Phone

 214.449.1294

9:00am – 5:00pm, Monday – Friday
Voicemails also accepted.

Online

Pricing

General Admission: $15-45

Open Seating

Single-Day through 4-Day Full Access Pass

At the Door

Tickets may be purchased at the box office in the lobby, which opens 90 minutes before the event start time. Cash and major credit cards are accepted. Save time by ordering in advance, online or by phone.

What People Are Saying

  • "McKay and the musicians wove through the complex textures and often counter-intuitive wanderings of this score with admirable devotion and precision."

    Wayne Lee Gay D Magazine
  • "...the Dallas Chamber Symphony and the Bruce Wood Dance Company...make an ideal cultural ambassador for the city to major urban centers in the United States and beyond."

    Wayne Lee Gay D Magazine
  • "McKay and the musicians wove through the complex textures and often counter-intuitive wanderings of this score with admirable devotion and precision."

    Wayne Lee Gay D Magazine
  • "Best Way to Watch A Silent Film 2014: ...they showed us that there’s nothing quite like watching a movie to the sound of a live orchestra."

    The Editor D Magazine
  • "The mostly young ensemble of two dozen strings responded with performances as eager and expressive as they were accomplished."

    Scott Cantrell The Dallas Morning News
  • "For this symphony the educational outreach is far-reaching."

    Teresa Frosini CBS 11 News
  • "…the orchestra here demonstrated a continually improving precision and comfort in a room that can be unforgiving. The Warlock Suite provided ample opportunity for McKay to show off a wonderful ability to evoke the special atmosphere, at once modern and archaic, that the composer created here."

    Wayne Lee Gay D Magazine
  • "Renaissance harmonies abounded, tinged with just the right spice of 20th Century dissonance and bi-tonality. It was brought out at just the right level by McKay."

    Wayne Lee Gay D Magazine
  • "The pointed intentionality of last night's programming, which initially looked like a musical mishmash, was to breathe new life into the old. And the structure of it was brilliant: 'Here's something you'll know. Here's something you should know. And here's something fun, so you leave feeling elated.'"

    Jamie Laughlin The Dallas Observer
  • "The Dallas Chamber Symphony is nothing if not ambitious."

    Katie Womack Dallas Observer
  • "This combination of old and new elements helped transport the audience to a different time and place without over-doing musical clichés."

    Katie Womack The Dallas Observer
  • "The audience was drawn into the film from the start, bursting into laughter and interacting with the story audibly."

    Katie Womack The Dallas Observer
  • "On Tuesday night, the Dallas Chamber Symphony proved they know exactly how to create a well-executed, interactive and entertaining live music/film screening experience."

    Katie Womack The Dallas Observer
  • "They have some incredible talent in their midst."

    Katie Womack The Dallas Observer
  • "There were a lot of excited whispers and shoulder grabs as people stood up to leave. I rarely see crowds so invigorated after classical productions."

    Jamie Laughlin The Dallas Observer
  • "If we want to keep classical music relevant, we need to fuse it naturally with our other passions. It should be an accompaniment to our lives, not just a fancy auditory meal gobbled up occasionally while wearing fine clothes. The Dallas Chamber Symphony is making that happen."

    Jamie Laughlin The Dallas Observer
  • "Shows like this reinforce that I'm on board; I'll see anything this group and its artistic director Richard McKay tries…"

    Jamie Laughlin The Dallas Observer
  • "Dallas Chamber Symphony has, along with the presentation of a fresh and widely varied repertoire of standard and non-standard works, carved a notable niche on the local scene…"

    Wayne Lee Gay D Magazine
  • "The orchestra and conductor McKay deserve hearty accolades for this ongoing silent cinema project, with hope that it will continue to enrich the local scene in upcoming seasons."

    Wayne Lee Gay D Magazine
  • "McKay had a great sense for the tempo and character of the piece, which was clearly chosen to show off Takagi's technical and artistic skill."

    Katie Womack The Dallas Observer
  • "As they had been all night, phrases were beautifully shaped. Throughout the performance there was palpable emotion in the playing and ultimately that intangible -- artistic sensibility -- is what made this concert a success."

    Katie Womack The Dallas Observer
  • "The conductor’s long-term vision is precisely the kind of eclectic and occasionally challenging classical group Dallas really needs."

    Peter Simek D Magazine
  • "Everything from the first note was locked in rhythmic precision, and difficult passages were clear, focused, and musical..."

    John Norine TheaterJones
  • "The ensemble is extremely adroit in their presentation as well as programming."

    John Norine TheaterJones
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