Event / Program Detail

February 25th, 2014 at Dallas City Performance Hall

2520 Flora Street, Dallas, Texas 75201 (map it)

Main Event at 8:00 PM

Schwantner: Distant Runes and Incantations

 

Saint-Saens: Carnival of the Animals

Introduction et marche royale du lion
Poules et coqs
Hémiones
Tortues
L’éléphant
Kangourous
Aquarium
Personnages à longues oreilles
Le coucou au fond des bois
Volière
Pianistes
Fossiles
Le cygne
Final

Film: Sherlock Jr. Starring Buster Keaton

Score composed by Craig Marks

Commissioned and premiered by the Dallas Chamber Symphony

After Party Around 9:30 PM

Ticket holders can meet the performers over complimentary appetizers at Jorge’s Tex-Mex Cafe, just across the street, immediately following the event. Open seating will be available, inside the restaurant and outside on the patio.

Parking

Convenient parking for $5 is available across the street at One Arts Plaza.

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Directions

Dallas City Performance Hall is located downtown in the Arts District.

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Tickets By Phone

 214.449.1294

9:00am – 5:00pm, Monday – Friday
Voicemails accepted.

Online

Pricing

Reserved Seating: $19-49

Regular through VIP, Select Your Seat

At the Door

Tickets can be purchased at the box office in the lobby, which opens 90 minutes before the event start time. Cash and major credit cards are accepted.

What People Are Saying

  • "McKay and the musicians wove through the complex textures and often counter-intuitive wanderings of this score with admirable devotion and precision."

    Wayne Lee Gay D Magazine
  • "...the Dallas Chamber Symphony and the Bruce Wood Dance Company...make an ideal cultural ambassador for the city to major urban centers in the United States and beyond."

    Wayne Lee Gay D Magazine
  • "McKay and the musicians wove through the complex textures and often counter-intuitive wanderings of this score with admirable devotion and precision."

    Wayne Lee Gay D Magazine
  • "Best Way to Watch A Silent Film 2014: ...they showed us that there’s nothing quite like watching a movie to the sound of a live orchestra."

    The Editor D Magazine
  • "The mostly young ensemble of two dozen strings responded with performances as eager and expressive as they were accomplished."

    Scott Cantrell The Dallas Morning News
  • "For this symphony the educational outreach is far-reaching."

    Teresa Frosini CBS 11 News
  • "…the orchestra here demonstrated a continually improving precision and comfort in a room that can be unforgiving. The Warlock Suite provided ample opportunity for McKay to show off a wonderful ability to evoke the special atmosphere, at once modern and archaic, that the composer created here."

    Wayne Lee Gay D Magazine
  • "Renaissance harmonies abounded, tinged with just the right spice of 20th Century dissonance and bi-tonality. It was brought out at just the right level by McKay."

    Wayne Lee Gay D Magazine
  • "The pointed intentionality of last night's programming, which initially looked like a musical mishmash, was to breathe new life into the old. And the structure of it was brilliant: 'Here's something you'll know. Here's something you should know. And here's something fun, so you leave feeling elated.'"

    Jamie Laughlin The Dallas Observer
  • "The Dallas Chamber Symphony is nothing if not ambitious."

    Katie Womack Dallas Observer
  • "This combination of old and new elements helped transport the audience to a different time and place without over-doing musical clichés."

    Katie Womack The Dallas Observer
  • "The audience was drawn into the film from the start, bursting into laughter and interacting with the story audibly."

    Katie Womack The Dallas Observer
  • "On Tuesday night, the Dallas Chamber Symphony proved they know exactly how to create a well-executed, interactive and entertaining live music/film screening experience."

    Katie Womack The Dallas Observer
  • "They have some incredible talent in their midst."

    Katie Womack The Dallas Observer
  • "There were a lot of excited whispers and shoulder grabs as people stood up to leave. I rarely see crowds so invigorated after classical productions."

    Jamie Laughlin The Dallas Observer
  • "If we want to keep classical music relevant, we need to fuse it naturally with our other passions. It should be an accompaniment to our lives, not just a fancy auditory meal gobbled up occasionally while wearing fine clothes. The Dallas Chamber Symphony is making that happen."

    Jamie Laughlin The Dallas Observer
  • "Shows like this reinforce that I'm on board; I'll see anything this group and its artistic director Richard McKay tries…"

    Jamie Laughlin The Dallas Observer
  • "Dallas Chamber Symphony has, along with the presentation of a fresh and widely varied repertoire of standard and non-standard works, carved a notable niche on the local scene…"

    Wayne Lee Gay D Magazine
  • "The orchestra and conductor McKay deserve hearty accolades for this ongoing silent cinema project, with hope that it will continue to enrich the local scene in upcoming seasons."

    Wayne Lee Gay D Magazine
  • "McKay had a great sense for the tempo and character of the piece, which was clearly chosen to show off Takagi's technical and artistic skill."

    Katie Womack The Dallas Observer
  • "As they had been all night, phrases were beautifully shaped. Throughout the performance there was palpable emotion in the playing and ultimately that intangible -- artistic sensibility -- is what made this concert a success."

    Katie Womack The Dallas Observer
  • "The conductor’s long-term vision is precisely the kind of eclectic and occasionally challenging classical group Dallas really needs."

    Peter Simek D Magazine
  • "Everything from the first note was locked in rhythmic precision, and difficult passages were clear, focused, and musical..."

    John Norine TheaterJones
  • "The ensemble is extremely adroit in their presentation as well as programming."

    John Norine TheaterJones

ABOUT THE ARTISTS

Alex McDonald, piano

Craig Marks, Dallas Chamber SymphonyLike a master chef who elevates food into art, composer Craig Marks serves up a sumptuous feast of musical delight – expertly blending exotic textures and heart-breaking melodies with a melange of global sounds.

On any given day, Craig can be found hard at work in the studio coaxing rhythm and melody from an extensive array of “instruments” – many bought or found, but some built specifically for projects by Marks himself. Buzz saws, antenna arrays, and a horrifically broken dishwasher have all found a place in his scores. “There’s music in everything,” Marks says, “the trick is matching tonality and emotion.”

Most recently, Marks completed work on Next Iron Chef: Redemption. Food Network’s hit Iron Chef America properties have provided continuous culinary and musical challenges for a combined 18 seasons and counting. In 2010, Marks released the Iron Chef America / Next Iron Chef soundtrack in response to an outpouring of fan requests.

For the last 13 seasons of A&E’s Emmy and PRISM award winning hit series “Intervention,” Marks has created consistently compelling music rooted in an ever evolving main theme, which was nominated for a Hollywood Music in Media Award in 2012 for Best Original Theme Music – TV Show.

Born and raised in San Jose, California, Craig grew up in a family that actively encouraged musical growth and expression. Having taught himself to play guitar, he began composing songs and experimental music during high school, discovering his lifelong passion.

Craig flourished upon moving to Los Angeles and, after a series of fortuitous meetings, soon found his musical studies encouraged and supported by the likes of Lionel Richie and Bill Conti. In addition to guitar, Marks studied numerous world instruments, including oud, gamelan, and sitar while earning a degree in music composition from UCLA.

Marks quickly earned his stripes while still a student. Having scored his first films and worked with a leading commercial music production company, Craig was soon invited to apprentice with Hans Zimmer – officially launching his journey as a Hollywood composer. Marks went on to work alongside many other established composers, contributing his talents to a wide-ranging list of films.

Fluent and active in a wide variety of genres, Marks has written for feature films, network and cable television, animated series, commercials, and classical ensembles.

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