Event / Program Detail

September 17th, 2013 at Dallas City Performance Hall

2520 Flora Street, Dallas, Texas 75201 (map it)

Main Event at 8:00 PM

Part: Cantus In Memory of Benjamin Britten

 

Mendelssohn: Violin Concerto in D Minor

Kazuhiro Takagi, violin

Allegro molto
Andante
Allegro

Tchaikovsky: Serenade for Strings

Pezzo in forma di sonatina. Andante non troppo—Allegro moderato
Valse. Moderato. Tempo di Valse
Elegia. Larghetto elegiaco
Finale. Andante—Allegro con spirito

After Party Around 9:30 PM

Ticket holders can meet the performers over complimentary appetizers at Jorge’s Tex-Mex Cafe, just across the street, immediately following the event. Open seating will be available, inside the restaurant and outside on the patio.

Parking

Convenient parking for $5 is available across the street at One Arts Plaza.

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Directions

Dallas City Performance Hall is located downtown in the Arts District.

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Tickets By Phone

 214.449.1294

9:00am – 5:00pm, Monday – Friday
Voicemails accepted.

Online

Pricing

Reserved Seating: $19-49

Regular through VIP, Select Your Seat

At the Door

Tickets can be purchased at the box office in the lobby, which opens 90 minutes before the event start time. Cash and major credit cards are accepted.

What People Are Saying

  • "McKay and the musicians wove through the complex textures and often counter-intuitive wanderings of this score with admirable devotion and precision."

    Wayne Lee Gay D Magazine
  • "...the Dallas Chamber Symphony and the Bruce Wood Dance Company...make an ideal cultural ambassador for the city to major urban centers in the United States and beyond."

    Wayne Lee Gay D Magazine
  • "McKay and the musicians wove through the complex textures and often counter-intuitive wanderings of this score with admirable devotion and precision."

    Wayne Lee Gay D Magazine
  • "Best Way to Watch A Silent Film 2014: ...they showed us that there’s nothing quite like watching a movie to the sound of a live orchestra."

    The Editor D Magazine
  • "The mostly young ensemble of two dozen strings responded with performances as eager and expressive as they were accomplished."

    Scott Cantrell The Dallas Morning News
  • "For this symphony the educational outreach is far-reaching."

    Teresa Frosini CBS 11 News
  • "…the orchestra here demonstrated a continually improving precision and comfort in a room that can be unforgiving. The Warlock Suite provided ample opportunity for McKay to show off a wonderful ability to evoke the special atmosphere, at once modern and archaic, that the composer created here."

    Wayne Lee Gay D Magazine
  • "Renaissance harmonies abounded, tinged with just the right spice of 20th Century dissonance and bi-tonality. It was brought out at just the right level by McKay."

    Wayne Lee Gay D Magazine
  • "The pointed intentionality of last night's programming, which initially looked like a musical mishmash, was to breathe new life into the old. And the structure of it was brilliant: 'Here's something you'll know. Here's something you should know. And here's something fun, so you leave feeling elated.'"

    Jamie Laughlin The Dallas Observer
  • "The Dallas Chamber Symphony is nothing if not ambitious."

    Katie Womack Dallas Observer
  • "This combination of old and new elements helped transport the audience to a different time and place without over-doing musical clichés."

    Katie Womack The Dallas Observer
  • "The audience was drawn into the film from the start, bursting into laughter and interacting with the story audibly."

    Katie Womack The Dallas Observer
  • "On Tuesday night, the Dallas Chamber Symphony proved they know exactly how to create a well-executed, interactive and entertaining live music/film screening experience."

    Katie Womack The Dallas Observer
  • "They have some incredible talent in their midst."

    Katie Womack The Dallas Observer
  • "There were a lot of excited whispers and shoulder grabs as people stood up to leave. I rarely see crowds so invigorated after classical productions."

    Jamie Laughlin The Dallas Observer
  • "If we want to keep classical music relevant, we need to fuse it naturally with our other passions. It should be an accompaniment to our lives, not just a fancy auditory meal gobbled up occasionally while wearing fine clothes. The Dallas Chamber Symphony is making that happen."

    Jamie Laughlin The Dallas Observer
  • "Shows like this reinforce that I'm on board; I'll see anything this group and its artistic director Richard McKay tries…"

    Jamie Laughlin The Dallas Observer
  • "Dallas Chamber Symphony has, along with the presentation of a fresh and widely varied repertoire of standard and non-standard works, carved a notable niche on the local scene…"

    Wayne Lee Gay D Magazine
  • "The orchestra and conductor McKay deserve hearty accolades for this ongoing silent cinema project, with hope that it will continue to enrich the local scene in upcoming seasons."

    Wayne Lee Gay D Magazine
  • "McKay had a great sense for the tempo and character of the piece, which was clearly chosen to show off Takagi's technical and artistic skill."

    Katie Womack The Dallas Observer
  • "As they had been all night, phrases were beautifully shaped. Throughout the performance there was palpable emotion in the playing and ultimately that intangible -- artistic sensibility -- is what made this concert a success."

    Katie Womack The Dallas Observer
  • "The conductor’s long-term vision is precisely the kind of eclectic and occasionally challenging classical group Dallas really needs."

    Peter Simek D Magazine
  • "Everything from the first note was locked in rhythmic precision, and difficult passages were clear, focused, and musical..."

    John Norine TheaterJones
  • "The ensemble is extremely adroit in their presentation as well as programming."

    John Norine TheaterJones

ABOUT THE ARTISTS

Kazuhiro Takagi, violin

Kazuhiro Takagi, Concertmaster 2Concertmaster Kazuhiro Takagi enjoys an international career and reputation as an experienced violin soloist, recording artist, and leader of orchestras. He has served tenures as concertmaster of the Tokyo Symphony, Chicago Civic Orchestra (under Daniel Barenboim), and solo concertmaster of the Yamagata Symphony and Wuerttembergische Philharmonie Reutlingen in Germany. He has also held positions with the Osaka Philharmonic, Osaka Symphony, Japan Century Symphony, Vietnam National Symphony and the Kansai Philharmonic.

Mr. Takagi has performed as a soloist and chamber musician in the United States, Europe and Japan. He is a prizewinner of the prestigious Queen Elisabeth International Music Competition and the 54th Geneva International Music Competition. As first violinist of the Eusia String Quartet, he received first prize in the Fischoff National Chamber Music Competition in Indiana. For his performances, he has also received the coveted Aoyama Music Award of Kyoto Baroque Saal.

Born in Osaka, Japan, and currently a resident of Tokyo, Mr. Takagi returns to Dallas frequently, as he established deep roots in the North Texas community while studying violin with Eduard Schmieder at Southern Methodist University. Extensively trained on his instrument, he is a graduate of the prestigious Deuxieme Academie de Musique Francaise de Kyoto where he was a pupil of Pierre Dukan, and the Conservatoire National Superieur in Lyon, France, where he was mentored by Yuko Mori and Eduard Wulfson.

In addition to his duties as concertmaster of the Dallas Chamber Symphony, Mr. Takagi holds positions with the Nagaokakyo Chamber Ensmeble in Kyoto, Izumi Sinfonietta Osaka, Lilis Chamber Orchestra, and the alternative music group A Hundred Birds.

Mr. Takagi’s solo recordings with the Osaka Philharmonic are widely distributed on the Naxos label. His most recent album features the twentieth-century works of composer Hiroshi Ohguri.

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