0

Dallas Chamber Symphony’s “most arresting and memorable” concert “scored major points”

“Dallas Chamber Symphony scored major points with an exemplary evening devoted to living American composers at Dallas Performance Hall,” writes Wayne Lee Gay of FrontRow, D Magazine. [...]

0

Accolades for DCS’s “entertaining” & “interactive” film score program at Dallas City Performance Hall

“The Dallas Chamber Symphony Knows How to Put Music to a Movie”, writes Katie Womack of the Dallas Observer. To read the full article, click here. Dallas Chamber Symphony performs its [...]

0

Critical acclaim for DCS’s “extremely adroit” programming, “exemplary” contemporary music & film

“Getting With the Program: The Dallas Chamber Symphony proves a knack for bold programming with Adams, Torke and a silent film score from Brian Satterwhite,” writes John Norine Jr. of [...]

0

CultureMap spotlights DCS silent film concerts at Dallas City Performance Hall

“Dallas Chamber Symphony debuts ambitious mash-up of modern music and silent movies” writes Kendall Morgan of CultureMap Dallas. To read the full article, click here. As the Dallas [...]

0

CBS 11 News covers the unveiling of Dallas Chamber Symphony’s concerts with film

Teresa Frosini of CBS 11 Dallas (CBSDFW.COM), features the Dallas Chamber Symphony’s new film score series. She writes, “For the past year, they have been planning new and different [...]

0

TheaterJones writes on composer Brian Satterwhite, and the exciting new DCS silent film programs

“Composer Brian Satterwhite on his music for the 1921 film A Sailor-Made Man, which will be performed by Dallas Chamber Symphony at City Performance Hall” by Gregory Sullivan Isaacs [...]

0

Dallas Chamber Symphony poised to “fill a gap in the city’s musical offerings”

“Dallas Chamber Symphony’s Richard McKay Talks What The Chamber Symphony Can Do for Dallas,” writes Katie Womack of the Dallas Observer. In a piece published by the Dallas [...]

0

Program Notes: A Sailor-Made Man, November 13, 2012, 7:30pm at City Performance Hall

Brian Satterwhite on A Sailor-Made Man: When Richard first approached me to compose a score for a classic silent film, I knew instantly what my choice would be. I have been an ardent admirer of [...]